RNCM Big Band with Nikki Iles (piano) and Mike Walker (guitar)

Awakening
Big Sky
Do It Again
Face to Face
Gray as the Morning
Hush
Red Ellen
The Thrill is Gone
Wild Oak
Big Dipper (Thad Jones)

Programme order may be updated.

Steve Berry director
Nikki Iles piano
Mike Walker guitar

 

Biographies

Nikki lles (piano)

From a musical family, Nikki began playing the harmonica and clarinet at her primary school. At the age of 11, she won a Junior Exhibitioner’s Scholarship to the Royal Academy of Music, studying piano and clarinet, and was soon a member of the Bedfordshire Youth Jazz Orchestra. It was at this time that the piano took over as Nikki’s principal instrument.

The first platform for her own composing was the group Emanon, led by trumpeter Richard Iles, which also included the guitarist Mike Walker and saxophonist Iain Dixon. The meeting of these kindred spirits at this time was extremely significant for all of them. In addition to Emanon, they were all members of the Creative Jazz Orchestra, working with Vince Mendoza, Anthony Braxton, Mike Gibbs, Kenny Wheeler and Mark Anthony Turnage. Nikki also began playing with several London-based bands, including the Steve Argüelles group, Mick Hutton’s Straight Face, Stan Sulzmann’s Quartet and Tina May. Nikki also maintained an important musical relationship with the bass player Steve Berry, leading to a trio with Sheffield drummer Pete Fairclough.

Nikki served a lengthy apprenticeship in the north of England, with particular support from Wakefield Jazz Club’s Alec Sykes. He continued booking her to play with the likes of Dick Morrissey, Jim Mullen, Pete King, Iain Ballamy, Scott Hamilton, Art Farmer and Teddy Edwards. This invaluable experience helped forge many friendships and musical connections.

In 1996, Nikki won the John Dankworth Special Award at the BT British Jazz Awards and recorded a duo CD, Treasure Trove, with Stan Sulzmann. A year later, she recorded a duo CD with Tina May, Change of Sky, and a CD with Martin Speake, The Tan Tien. These CDs were the beginning of three important ongoing musical relationships.

Nikki moved to London to take up a position as a senior lecturer at Middlesex University. Composition remained a major part of her musical life, and she had commissions from the Creative Jazz Orchestra for the Printmakers Suite (1994), celebrating the role of women in jazz, several from New Perspectives, in particular In All My Holy Mountain with poet Roger Garfitt (1998-2001), a piece for the London Sinfonietta, Ellington Celebrations (1999), and Tim Garland’s Northern Underground Band (2006).

Nikki’s busy performance schedule has not prevented her from developing a parallel career as a widely respected teacher, and she has worked as a tutor at numerous workshops and summer schools around the world while maintaining active links with most of the London colleges. Her tireless education work was recognised through her nominations at the 2007, 2009 and 2018 Parliamentary Jazz Awards for Services to Jazz Education.

Additionally, she has been part of a team at the Associated Board of the Royal Schools of Music, developing an exciting new series of graded exams for jazz horns, launched in June 2003, followed by jazz flute.

Nikki has fast become a major presence in the British jazz world. Playing highlights in the last couple of years have included the Julian Argüelles Octet, the Kenny Wheeler Big Band, the Anglo Canadian Project, Toronto with Kenny Wheeler and Norma Winstone, Tony Coe and Tina May, The Printmakers with Norma Winstone and Mike Walker, Martin Speake’s ECM tour, Japan with Karen Sharp and Tina May, Renga with Rufus Reid. Nikki has also recently recorded with Tina May (I Never Told You on 33 Records), The Secret Quartet (Bloor Street on Edition Records), Canadian trumpeter Kevin Dean and Toronto bassist Duncan Hopkins with Stan Sulzmann and Stephen Keogh, as well as a trio with Rufus Reid and Jeff Williams.

Mike Walker (guitar)

Salford born guitar Tutor, Mike Walker’s passion for guitar was heavily influenced by his own interest in jazz but flavoured by a broad spectrum of genres across the musical spectrum.

In addition to recording and touring Europe and the USA with the George Russell ‘Living Time’ Orchestra, with whom he was a member for 18 years, Mike has performed and recorded with many artists including Steve Swallow, Arild Anderson, John Taylor, Vince Mendoza, Mike Gibbs, Mark Anthony Turnage, Tal Farlow, Palle Mikkelborg, Mica Paris and Norma Winstone.

Having been commissioned to write original music for Manchester Jazz Festival, Mike composed a suite entitled ‘Ropes’ featuring a twenty-two piece orchestra and Jazz quintet. The suite was performed at the RNCM to a packed theatre and received a standing ovation.

Mike is a member of The Printmakers alongside Nikki Illes, Norma Winstone, Mark Lockhart, James Maddren and Steve Watts, and has also been busy composing and touring with The Impossible Gentlemen, a new group he co-leads with celebrated British piano player Gwilym Simcock, also featuring Adam Nussbaum and Steve Swallow. Their first album entitled ‘The Impossible Gentlemen’ was released in 2010. In 2013 the group were named ‘Best Jazz Ensemble’ at the Parliamentary Jazz Awards.

Mike runs various Guitar/Improvisation Schools in Spain, Italy, Scotland, Wales and the Lake District and teaches across Europe.

Steve Berry (director)

Initially a self taught guitar-playing singer/songwriter in the 1970’s, everything changed in an instant after a chance encounter with improvising saxophonist, Stuart Spiers.

At his prompting, Steve soon realised the vital importance of immersing himself in a larger and thriving, Jazz/Improvisation community (not available in rural Shropshire at that time), precipitating an early departure midway through his Fine Art Degree and a move to London, along with a switch to double bass, when he was 22 years old.

Learning about Jazz and playing the double bass were mentored initially by the great session bassist Chris Laurence, and later through life-changing lessons with Daryl Runswick and Dave Holland. His only ‘formal’ study was one year on the Guildhall School of Music and Drama’s (then) fledgling Postgraduate Jazz course.

Chance encounters with John Parricelli and Django Bates (amongst others) started a dizzying few years, Steve being caught up in the collective that eventually became Loose Tubes, the seminal 21-piece (not really a) Big Band.

Touring the World, recording and broadcasting through the late 1980s, Steve’s profile as a Jazz Composer was established here.


Personnel

RNCM Big Band

FLUTE
Sinead Walsh (alto)
Naomi Robinson
Doris Cao

CLARINET
Robyn Saunders (bass)

SAXOPHONES
Dan Gribbin
Sam Lightwing
Ben Jackson
Ellen Pointon
Leah Waddington

TRUMPETS
Adam Neild
Joe Bradford
Tristan Boldy
Will Bird

TROMBONES
Rae Wong
Barney Shaw
Roz Fearnehough
Asa Riley

GUITAR
Chris Godhard

BASS
Rob Palmer-Fenny

PERCUSSION
Calum Montgomery

DRUMS
Josh Doyle