Adam Swayne

Deputy Head of School of Keyboard Studies and Professor of Piano

MusB (Hons), MMus, DM (Northwestern University, USA), GRNCM, SFHEA

About Adam

  • Piano teaching, auditioning and assessing
  • School of Keyboard Studies activities
  • Contemporary music
  • Research
  • PhD supervision and examining

Pianist, composer and musicologist Dr Adam Swayne has been working at the forefront of performance and research for several years.

Having gained his doctorate as a Fulbright Scholar in the USA, his solo recordings focus on societal issues in North American culture.  In April 2019 BBC Music Magazine named his solo recital CD (speak to me): new music new politics as Instrumental Monthly Choice. BBC Radio 3’s Record Review said that it is “brave … flamboyant … a cleverly designed, exuberantly performed and arresting exercise in putting the politics back into the piano recital”. It was the only CD to be nominated in two categories at the 2019 Opus Klassik awards in Germany. His second CD was a commemorative recital for the 20th anniversary of the 9/11 attacks and was launched with a concert at the Wigmore Hall on September 11th 2021. He has since commissioned a number of works exploring music and commemoration, and a book chapter for Routledge is currently in progress.

Adam’s musicological interests focus on the performance and culture surrounding the nineteenth century concerto and include (re)discovery of works by German composer Ferdinand Ries. His doctoral thesis was an edition and commentary of Ries’s Piano Concerto No.3 Op.55, and in 2026 A-R Editions published a newly discovered first version of Ries’s Piano Concerto No.6 Op.123.

As the pianist for the Riot Ensemble, Adam performs several premieres every year at major international festivals. He has worked with all the major composers of our times. The Times described him as ‘a pianist of formidable technique and high intelligence’ and the Evening Standard as ‘the ideal blend of panache and subtlety’.

Current and Future Research

Adam commissions and records new works within adventurous programmes of solo piano music. His recording ‘(speak to me) new music new politics’, released in January 2019 on the Coviello label, included premiere recordings of Amy Beth Kirsten (Juilliard School) and Kevin Malone (University of Manchester) alongside works by Rzewski, Gershwin and Gould. The social and political investigations of the CD were presented at the University of Memphis (‘Balancing the Mix’ conference, 30/03/19), Northwestern University, (solo recital, 04/04/19) and also resulted in an additional new work from Malone, premiered at the Stoller Hall in Manchester (09/08/24). Adam worked again with Malone on ‘Sudden Memorials’, an extended and theatrical work premiered at the Wigmore Hall on the twentieth anniversary of the 9/11 attacks. This formed part of a wider exploration into how musicians undertake commemoration, resulting in another solo recording ‘9/11:20’ released by Coviello in 2021 (including works by Karen Walwyn (Berklee College of Music), Del Tredici, Joplin and Cowell) and a 2024 work by Nina Whiteman (RHUL) ‘Earthed’.

Adam is also a musicologist specialising in 19th century concertos. His edition and commentary of the previously unseen first version of Ferdinand Ries’s Op.123 Piano Concerto (1806) is published by A-R Editions. He also presented this research at the ‘Financing Music in Europe from the 18th to the Early 20th Century’ conference in Lucca, Italy in 2020. As a performer, Adam has presented in recent seasons concertos by Ireland, Gregson, Grieg, Rachmaninov and double concertos by Mozart and Elliott Carter.

As pianist of the Riot Ensemble, Adam presents a large number of ensemble premieres every year, many of them internationally. Recent performances include the SPOR Festival (Denmark), MaerzMusik (Germany), Time of Music (Finland), Klangspuren (Austria) and Mixtur (Spain) alongside Brighton, Aldeburgh and HCMF (UK).

Research Areas

  • Music and Commemoration
  • Ferdinand Ries and Music of the Nineteenth Cenury
  • Contemporary Music: Premieres and Practice
  • Music and Society

External Research Roles

  • Pianist, Riot Ensemble (2009 – present)
  • Head of Chamber Music and Senior Lecturer, University of Chichester (2007 – 2017)
  • Piano Tutor, Junior Department, Royal Academy of Music (2006 – 2017)

Funded Research Projects

Siemens Foundation: Riot Ensemble were awarded the inaugural Ensemble Prize.

Arts Council England

Garfield Weston Foundation

Undergraduate Teaching

  • Principal study piano tuition
  • Contemporary piano

Postgraduate Teaching

  • Principal study piano tuition
  • Postgraduate mentoring

Research Supervision

Current supervision of PhDs:

  • Dobromir Tsenov
  • Matthew Lau
  • Hwan Hee Kim
  • Wenxin Luo

Written Outputs

Perspectives from a Conservatoire on Editing Lesser-Known Music, 1600–1820

Glatthorn, A., Babington, A., Davies, H., O’Farrell, A.-M. & Swayne, A., 2027, (In preparation) Musicology Australia.

Grand concert pour le pianoforte: First Version of Piano Concerto, Op.123

Swayne, A. & Ries, F., 12 Mar 2026, Recent Researches in Music ed. Middleton, Wisconsin: A-R Editions. 218 p. (Recent Researches in the Music of the Early Nineteenth and Twentieth Centuries; vol. 101)

Practice Research/Compositions

Adam Swayne performs Kevin Malone’s “Sudden Memorials”: Video Performance

Swayne, A. (Performer) & Malone, K. (Composer), 8 Sept 2026

Family Silver: Composed for the 25th birthday of the Chetham’s International Piano Summer School

Swayne, A. (Composer), 12 Aug 2026

Earthed

Whiteman, N. (Composer), Whiteman, N. (Performer) & Swayne, A. (Performer), 22 Feb 2024

Commission and Premiere: A Self-Portrait (Couperin)

Swayne, A. (Performer) & Sergeant, M. (Composer), 20 Aug 2023

Commission and Premiere: The moon is an eye is a pond and so on and so forth

Swayne, A. (Conductor) & Gísladóttir, B. (Composer), 26 Nov 2023

Earthed: for piano, electronics, multimedia

Whiteman, N. (Composer) & Swayne, A. (Performer), 2023

Grand concert pour le pianoforte: First performance of Ferdinand Ries’s Op.123 concerto in the original 1806 version: Adam Swayne (piano) with Musicians of All Saints, conducted by Andrew Sherwood. St Mary’s Church, Brighton

Swayne, A. (Performer), 15 Jan 2022

9:11/20 Memorials on the twentieth anniversary of September 11th

Swayne, A. (Performer), Malone, K. (Composer), Walwyn, K. (Composer), Del Tredici, D. (Composer), Cowell, H. (Composer) & Joplin, S. (Composer), 23 Jul 2021

Public Presentations and Performance

Premiere: Naomi

Swayne, A. (Performer) & Haven, J. (Composer)

11 Sept 2026

9/11 Commemorative Recital

Swayne, A. (Performer)

16 Aug 2026

Kings Place

Swayne, A. (Director)

12 Jun 2026

CoMA Festival 2026

Swayne, A. (Organiser) & Saunders, J. (Member of programme committee)

22 Mar 2026

Premiere: Wanderers

Swayne, A. (Performer) & Egan, E. (Composer)

19 Mar 2026

Workshop of new works

Swayne, A. (Performer)

16 Feb 2026

Milton Court/ BBC Radio 3

Swayne, A. (Performer)

22 Jan 2026

PhD Supervision and Examination

Examined Yuanwei Ping: A Study of Alexis Weissenberg’s Piano Music and Arrangements, Context and Style

Swayne, A. (Examiner)

15 Sept 2026

Visiting Positions

Royal College of Music

Swayne, A. (Visiting researcher)

15 Dec 2025

Hong Kong Academy of Performing Arts

Swayne, A. (Visiting lecturer)

12 Nov 2025