David Horne

Professor in Composition and Head of Graduate School

BMus (Curtis), PhD (Harvard)

About David

Develops and oversees postgraduate taught programmes.

Directs the RNCM’s Hub for Artistic Research in Performance (HARP)

Professor David Horne holds a Personal Chair in Composition and is Head of the Graduate School at the Royal Northern College of Music. He has been commissioned and performed by major organisations internationally, including Carnegie Hall, London Sinfonietta, Nash Ensemble, Ensemble Moderne, the BBC Symphony, BBC Scottish Symphony, BBC Philharmonic, Hallé, Royal Liverpool Philharmonic and the Scottish Chamber Orchestras. Recent performances have included by the WDR Symphony Orchestra Cologne, the Bavarian Radio Symphony Orchestra, the Orchestra of the Opéra national de Lorraine and Ensemble 10:10.

Active as a pianist, and winner of the piano section, BBC Young Musician of the Year 1988, he has performed both his Piano Concerto and Flex with the BBC Symphony Orchestra and performed Prokofiev’s Piano Concerto no 3 at the BBC Proms. Career highlights include a full evening concert of his works given by the BBC Symphony Orchestra conducted by Clark Rundell, and he has had portrait concerts as part of the BBC Proms and the Philharmonia Orchestra’s Music of Today series. His music is published by Boosey and Hawkes.

A respected teacher and mentor, David is in demand as an educator at all levels. He has mentored emerging composers on Making Music’s Adopt a Composer programme and frequently advises and mentors composers on Sound and Music projects. He has a keen interest in working with younger musicians and is a key tutor on the Sound and Music Summer School and leads education projects throughout the UK. He directs HARP, the RNCM’s Hub for Artistic Research into Performance and regularly presents on his research in the UK and abroad.

Current and Future Research

Horne, D., Different Ghosts for Clarinet Quintet, (2022)

Commission funded by Ida Carroll  Trust

 

World premiere at Aldeburgh Festival, 9 June, 2023

Linda Merrick and the Kreutzer Quartet

Commercial recording forthcoming.

 

Castle Rock for Mixed Septet (2023)

Commission funded by St Mary’s Music School, Edinburgh  January 2023

World premiere of work in St Mary’s Cathedral, Edinburgh  29 March, 2023

Online premiere on YouTube  15 June, 2023

https://youtu.be/vSLouf3dmt0

 

Brontë Songs for mezzo soprano and ensemble (2023)

World premiere at Made in Manchester festival, 5 May, 2023

London premiere at Wigmore Hall, 17 June, 2023

 

 

The Turn of the Tide (2006)

Several recent European performances, including available online:

 

WDR Sinfonieorchester, Cologne

https://youtu.be/aGc4pJE9JrY

 

BRSO, Munich

https://www.brso.de/en/audio-video/concert-videos/marie-jacquot-gautier-capucon/

 

Lorraine National Opera Orchestra

https://www.opera-national-lorraine.fr/en/activity/33-cap-sur-l-ecosse-horne-beethoven-mendelssohn

 

Invited Keynote speaker at Perform_Live Festival, Dublin, March 2022

https://youtu.be/9pRCEYLQ72c

 

Currently working on a monograph, Music in Contradiction, co-authored with Dr Simon Clarke. Planned for publication in 2024.

 

External Research Roles

  • Visiting Professor, Kunstuniversität Graz, University of Music and Performing Arts Graz (2016)
  • Key Tutor, Sound and Music Summer School, Sound and Music Summer School (2009 – present)
  • Visiting Professor, ESMUC, Barcelona, The Catalonia College of Music (2006 – 2007)
  • Mentor to early-career composers, Birmingham Contemporary Music Group (2004 – present)
  • Composer in Residence, Royal Liverpool Philharmonic Orchestra (2000 – 2003)
  • Visiting Lecturer in Music, Harvard University (1999 – 2000)
  • Pianist, Boston Music Viva (1998 – 2000)
  • Pianist, ALEA III (1996 – 2000)

Funded Research Projects

Vaughan Williams Foundation

The Hinrichsen Foundation

 

Undergraduate Teaching

Principal study composition tutor

Co-ordinator and tutor: Performing Contemporary Music (BMus3), Performance Studies (BMus4)

Lecturer: Research Electives:

  • Anatomy of the Symphony: from Berlioz to Shostakovich
  • 20th Century Chamber Music
  • The Modern Concerto
  • 20th Century Analysis
  • Five Great 20th Century Operas
  • The String Quartet from 1900
  • Puccini Operas
  • Wagner- Der Ring des Nibelungen
  • Composition and Performance

Lecturer: Music, Culture and Performance I (19th and 20th centuries)

Postgraduate Teaching

Principal study composition tutor

PG Composition Seminar

Co-ordinator and lecturer:

  • Arrangement Elective
  • Composition Elective
  • Research Lecture Recital
  • Research Methods: Artistic Research
  • Underrepresented Music and Musicians
  • Dissertation supervision

Research Supervision

Current supervision of PhDs:

  • Devon Bonelli
  • James Waide
  • Peggy Nolan
  • Christian Jones
  • Nicholas Waldock
  • Wenxin Luo
  • Maggie Zhao
  • Beibei Wang

Completed PhDs:

  • Zakiya Leeming, Conception to Construction: Compositional decision-making informed by theories, patterns and processes in the physical, life, and computer sciences.

Written Outputs

Music in Contradiction: A Study of Logic and Musical Meaning

Clarke, S. & Horne, D., 2027, (In preparation) Abingdon: Routledge. (Routledge Research in Music)

Composition as Improvisation/Improvisation as Composition

Horne, D., 2017, Experimental Encounters in Music and Beyond. Leuven University Press, p. 177–186

Practice Research/Compositions

Brontë Songs: for Mezzo Soprano and Ensemble

Horne, D. (Composer), 2023

Castle Rock

Horne, D. (Composer), 2023

Rosamund Brass RNCM Spotlight

Baczkowski, D. (Composer), Gorb, A. (Composer) & Horne, D. (Composer), 3 Nov 2023

Different Ghosts: for clarinet quintet

Horne, D. (Composer), 2022

Reflecting Instruments

Horne, D. (Composer), 2019

Resonating Instruments

Horne, D. (Composer), 2016

Frayed Instruments

Horne, D. (Composer), 2015

Grimm Tales

Horne, D. (Composer), 2015

Public Presentations and Performance

Solo piano set as part of Hive Ensemble Event

Horne, D. (Speaker / presenter)

16 Oct 2024

PhD Supervision and Examination

Supervised Devon Bonelli, ‘Fag on the Dance Floor: De/Reterritorializing through Composing Queer, Theatrical, and Narrative Music’ [composition, completed March 2025]

Horne, D. (Examiner), Clarke, S. (Examiner) & Salem, S. (Examiner)

2025

Visiting Positions

Royal College of Music

Horne, D. (Visiting researcher)

1 May 2026 — 30 Jun 2029

Other

BCMG Creative Composing Lab

Horne, D. (Participant)

28 Jun 2026

BCMG Creative Composing Lab

Horne, D. (Participant)

8 Feb 2026

in the Making

Horne, D. (Participant)

18 Nov 2025 — 28 Apr 2026

BCMG Creative Composing Lab

Horne, D. (Participant)

16 Nov 2025

International Assessor- Research Ireland

Horne, D. (Participant)

1 Nov 2025 — 1 Nov 2026

In the Making

Horne, D. (Participant)

3 Aug 2025 — 10 Aug 2025

Composition workshop leader- BCMG

Horne, D. (Participant)

1 Nov 2024 — 29 Jun 2025