Williams-Howard Prize

Support our annual singing competition, which celebrates and promotes the study and performance of art songs by composers of the African diaspora.

The Williams-Howard Prize was established by the late Michael Harper – an RNCM Professor of Singing, whose international career as a countertenor uncovered the distinct and worrying lack of performances of these works – to ensure this vital repertoire is preserved, celebrated, and performed for generations to come.

The first prize of its kind in Europe, it honours both singers and collaborative pianists. Since its launch in 2021, our supporters have played an integral role in its growth by:

  • Providing financial support to participants, nurturing the next generation of singers and collaborative pianists;
  • Delivering coaching and workshops to the prize winners through sessions led by internationally renowned musicians, bringing this underrepresented repertoire to life;
  • Establishing a dedicated repository of music at the RNCM Library, featuring over 130 items, including spirituals, songs by Samual Coleridge-Taylor and Florence Price, and historical works about music during the Harlem Renaissance and the Civil Rights Movement; and
  • Promoting the study and performance of art songs by composers of African heritage, inspiring musicians to incorporate them into their programmes at the RNCM, Buxton International Festival, and beyond.

Our vision is for this repertoire to become an enduring part of the canon of classical art song, embraced by the next generation of professional singers and pianists.

‘The Williams-Howard Prize is a vital initiative, shining a light on historic composers who have been unjustly overlooked, while celebrating contemporary artists shaping our musical world today.

Ten years ago, Michael Harper introduced me to the music of Margaret Bonds when few in the UK were singing her works; now her music is heard on major stages. This is the power of dedicated research, advocacy, and performance.

The Prize is more than an award. It is a movement that is forging new connections across Britain, the Commonwealth, and Europe. It ensures that the wealth and range of this musical heritage can be fully embraced and that underrepresented voices can take their rightful place on the world’s most prestigious stages.’

Errollyn Wallen CBE
Master of the King’s Music

Credit: Azzurra Primavera