Adam Swayne

Lecturer in Music

MusB (Hons), MMus, DM (Northwestern University, USA), GRNCM

Email: Adam.Swayne@rncm.ac.uk

Pianist Adam Swayne studied on the joint course between the University of Manchester and the RNCM before completing his doctorate as a Fulbright Scholar in the USA. His principal teachers were John Gough, John Casken, Kevin Malone and Ursula Oppens. 

Since returning from the US, Adam has developed a busy performing career that includes frequent concerto appearances, solo recitals and ensemble performances. He has been Programme Director for the Riot Ensemble since its inception in 2009. He also performs with the John Ireland Piano Trio and he was a Park Lane Young Artist in 2008.

Adam’s research interests focus on the performance and culture surrounding the nineteenth century concerto and include (re)discovery of works by German composer Ferdinand Ries. 

Adam is also a composer and conductor, having served as Music Director for Contemporary Music for All (CoMA) in Sussex (2008-2017) and nationally between 2012 and 2014.

Adam begins at the RNCM in September 2017 having previously taught at Junior RAM and at the University of Chichester where he was Head of Chamber Music.

The Times described him as ‘a pianist of formidable technique and high intelligence‘ and the Evening Standard as ‘the ideal blend of panache and subtlety‘.

 

Personal Website

Current and Future Research

1)    The Piano Concerto: (Re)discovery and development. 1750 – present

  • Publication: The original version of Ferdinand Ries’ Op.123 Piano Concerto (1806), which includes previously unheard and strikingly inventive material composed in Vienna under Beethoven’s influence. This project will also generate performances and journal articles as part of the larger investigation. 
  • Performance: Elliott Carter’s Double Concerto, scheduled at LSO St Luke’s 12/01/18.

2)    International Premières: Solo and Ensemble

  • Solo Recording: ‘Those Fellow Americans’ on the Coviello Label. Première recordings by Amy Beth Kirsten (Peabody Institute) and Kevin Malone (University of Manchester) alongside works by Rzewski, Gershwin and Morton Gould. 
  • World Première of Malone’s new work, a joint commission by Riot Ensemble funded by ACE, scheduled at University of Manchester 15/02/18.
  • Ensemble Recording: Riot Ensemble’s second album ‘Chest of Toys’ will be released in November 2017 on the Coviello Label, including works by Anna Thorvaldsdottir and Utku Asoroglu. 
  • Ensemble Performances: Riot Ensemble will appear at the Huddersfield Contemporary Music Festival in 2017, performing a new work by Laurence Osborn. 
  • Conference: Keynote address at The Contemporary Music For All Conference 2018, which brings together musicians on the south coast to discuss ‘How can contemporary music practitioners and educators shape the delivery of music education?’ (3/3/18, University of Chichester).
  • New Work: ‘Hawker Hunter’ for piano trio (completion July 2017, première by the John Ireland Trio May 2018). 

 

Research Funding

  • John Ireland Trust: Grants (£1600 total) for performances of John Ireland’s Trios and Piano Concerto.
  • Arts Council England: Funding awarded for Riot Ensemble seasons in 2016 2015 (£14,500) and 2014 (£12,000).
  • Opus 2 Foundation: Funding awarded for Riot Ensemble seasons in 2015 and 2014 (£4,000 each)
  • Grant: Holst Foundation (£800) for Riot Ensemble 2013 season
  • Project: University of Chichester Music Academy. During my year as Regional Coordinator for the UCMA (2011–2012) I was able to secure the support of two major venues (Christ’s Hospital School and Lancing College) to host our weekly activities free of charge. Students accessing the UCMA on a weekly basis jumped from 12 to 27, and a further 60 students benefitted from one-off Taster Days. I was also able to secure several major concert venues free of charge (Southampton Guildhall, Windlesham House) plus the support of other organisations to put on collaborative concerts (including West Sussex Music Service, Southampton Concert Orchestra, Bernardi String Academy, Shoreham Singers, Contemporary Music for All, Charterhouse School and William Penn Primary School). These activities raised the profile of the UCMA and the University as a whole, and also secured charitable support for the Chichester-based Shipwrecked Mariner’s Society.
  • Commission: John Wheatley (£500) for new work Gridshell (2011)
  • Commission: Portsmouth Grammar School (£1000) for new work Santa Dances (2008)
  • Commission: Ebony Duo through Arts Council Scotland (£500) for new work Tarantella (2008)
  • Commission: Ebony Duo through Hope Scott Trust (£100) for new work Tarantella (2008)
  • Commission: I was able to commission composer Ailis Ni Riain to write a major new work for solo piano Beautiful Cracked Eyes (£1500) from funds generated by Arts Council England through the National Lottery (2008). 
  • Performance: Park Lane Group Young Artists Series (2008). The support of this organisation allowed me to put on a solo piano recital at the Purcell Room, Southbank Centre.

Undergraduate Teaching

  • Music, Culture and Performance
  • The Changing Face of the Concerto since 1789
  • Performing Contemporary Music
  • Performance Studies
  • Theory
  • Tutor for Year 3

Postgraduate Teaching

  • Repertoire Research
  • Freelance Musician
  • Tutorial

Professional Activity

Riot Ensemble: Programme Director and Pianist (since 2009)

University of Sussex: Advisory Board for NETEM Research Project (since 2015)

CoMA (Contemporary Music for All): Music Director for Sussex Ensemble (2008-2017) and Conductor of National Ensembles (2012-2014)

New Music Brighton: Secretary (2015-2017)

Music of Our Time: Music Advisor (since 2014-2017)

University of Essex: External Examiner (2011-2014)