Williams-Howard Prize
Support our annual singing competition, which celebrates and promotes the study and performance of art songs by composers of the African diaspora.
Established by RNCM Professor of Singing Michael Harper, whose international career as a countertenor has uncovered the distinct and worrying lack of performances of these works, The Williams-Howard Prize aims to ensure this vital repertoire is preserved, celebrated and performed for generations to come.
The first prize of its kind in Europe, it honours both singers and collaborative pianists. Since its launch in 2021, our supporters have played an integral role in its growth by:
- Providing financial support to participants, nurturing the next generation of singers and collaborative pianists.
- Delivering coaching and workshops to the prize winners through sessions led by internationally renowned musicians, bringing this underrepresented repertoire to life.
- Establishing a dedicated repository of music at the RNCM Library, featuring over 130 items, including spirituals, songs by Samual Coleridge-Taylor and Florence Price, and historical works about music during the Harlem Renaissance and the Civil Rights Movement.
- Promoting the study and performance of art songs by composers of African heritage, inspiring musicians to incorporate them into their programmes at the RNCM, Buxton International Festival, and beyond.
Our vision is for this repertoire to become an enduring part of the canon of classical art song, embraced by the next generation of professional singers and pianists. We are beyond proud of the positive steps that have been made so far.
Credit Azzurra Primavera
The Williams-Howard Prize is a vital initiative, shining a light on historic composers who have been unjustly overlooked, while celebrating contemporary artists shaping our musical world today. As a composer and performer, I have seen a real shift as music I’ve championed has taken root in conservatoires and concert halls. Ten years ago, Michael Harper introduced me to the music of Margaret Bonds when few in the UK were singing her works; now her music is heard on major stages. This is the power of dedicated research, advocacy, and performance. The Prize is more than an award—it is a movement that is forging new connections across Britain, the Commonwealth, and Europe. It ensures that the wealth and range of this musical heritage can be fully embraced and that underrepresented voices can take their rightful place on the world’s most prestigious stages.
Errollyn Wallen CBE
Master of the King’s Music
Our aim is to raise £50,000 to endow the prize, securing its future for years to come. Will you help us reach our goal?
Please consider a donation below and help us reach our target, ensuring the long-term impact of this important prize.
For alternative donation methods or more information about the prize, please get in touch with Alexandra Maliphant at [email protected] | 0161 907 5389.
